An old man, incredibly
old and maybe no longer a man, but a vigorous man, if such he were, for all of
the centuries. He walked the halls of his grand palace and reveled in
melancholy, a growing affliction of his spirit.
Castle Dracula was a
huge edifice—the North Wing alone extended three quarters of a mile out from
the Grand Hall and stood eight stories high by a hundred yards wide. A maze of
ballrooms, terraces, stairways, galleries and alcoves, baroque details, stone
carvings and elaborate woodwork created an intricate texture of niches and
recesses; vaulted ceilings, archways and colonnades pulled the eyes to long
distances and deep dark spaces. Automated lighting accented viewlines and cast
dramatic shadows, turning on at his approach and blinking out as soon as he
passed. It was a long walk, he could have made the journey much more quickly by
riding the sliding floors and elevators in the parallel, efficient network of
service corridors. But he wanted to think and he felt like indulging the luxury
of newly precious time—with only a few hours left to a thousand years of
existence, spending twenty extra minutes traversing the palace felt sweet and
decadent. And, if truth were told, he was more than a little apprehensive of
his mission.
At last he descended the
final narrow stairway—below the wine cellars—and came to the heavy iron doors
leading to the dungeons. This had once been an important center of his
existence but his days of pleasure in tormenting his enemies were long in the
past. He took a large ring of keys from his pocket and began trying the
different ones in the lock, finally finding a fit with the seventh key. It took
him some minutes to open a doorway that had once stood wide, guarded full-time
by twenty heavily armed professional sadists. The lock was sticky and he
struggled to turn the key, fearing it would break off. Hinges groaned rustily
as he pulled the half-ton valves open. The lights from here on were no longer
automated and he had to locate the master panel in the dungeon control room. In
fact he needed no lights to find his way but he was accustomed in recent ages
to operating under custom spectrum lighting to maintain the tone and texture of
his skin, and so, not remembering which circuits would be needed, he switched
on the lights all throughout the prison.
It was yet a further
long walk upon a clattering metal stairway that spiraled downwards for six
levels. There was a landing at each level and he had to unlock a barred door at
both ends of every landing. Each door had a separate key and he fidgeted
impatiently at the succession of locks and keys, resisting an impulse to smash
through the doors and rip them from the jambs, not wishing to vandalize his own
castle—not yet.
There was one final door
at the bottom of the stairs and past that a long corridor with no lights. At
the dark end he came to a simple unlocked wooden door that led to five
descending stone steps. He was in a crypt, hidden lights filled the room with a
warm, reverential glow. At the center of the space was a single granite
sarcophagus, a plain coffin unadorned except for a simple cross carved into the
top surface of the lid.
Count Dracula regarded
the symbol of his ancient foes for a moment, briefly indulging bittersweet
memories before bending to the task of lifting the lid and setting it aside.
Inside the coffin was the desiccated mummy of a man, intact but brittle as a
twig. The coffin itself was of the finest appointment—velvet lined and with a
silk pillow beneath the corpse’s head. The mummy wore a dark gray woolen suit
and a white silk shirt.
The Count leaned over
and undid the buttons on the mummy’s shirt exposing the leathery brown torso.
He had a bottle of orange fluid with him and he opened it up, poured a few
drops onto the corpse’s lips, then poured a little more onto the torso. He
massaged the fluid into the body—the skin was so dry that the liquid was
absorbed in seconds. He poured out a little more and continued rubbing it into
the chest and abdomen.
He felt the skin
softening under his fingers and worked more fluid into the mummy, dripping a
little more onto the lips which absorbed them and parted slightly, swelling. He
bent over, gave the mouth a gentle kiss and blew a slight breath into the body,
then he let a few more drops of the fluid into the opened lips. He poured some
onto the sunken eyes and turned to working more into the chest, concentrating
on getting the fluid deep into the heart. His touch was loving, a caress for a
dear friend newly returned from a long absence.
The
skin of the mummy’s chest had become supple and Dracula moved to work on the
face again. A few more drops into the lips, more on the eyes and now he began
working the thin orange fluid into the forehead. The corpse began to breathe,
first with a gentle sigh and then a succession of slow shallow breaths that
barely stirred the man’s breast.
The
Count stopped massaging the brow, from here on the revival process took care of
itself, he had merely to wait, and it wouldn’t be long. Indeed, it was only a
moment before the man’s eyes fluttered open and he tried to raise his head, but
his neck only flailed weakly. Dracula lifted the head and brought the bottle of
fluid to its lips. The man took several gulping sips and backed away from it.
“Dr.
Van Helsing,” Dracula said. “Welcome back to the world. It is good to see you
again. Believe it or not, but I have missed you.” He spoke in German, but with
a strange accent and a stiff manner as from lack of practice.
“Am
I to be tortured again? Don’t you ever tire of cruelty?” His voice was a tired
scratchy whisper, breathless and barely audible.
“I
did in fact grow tired of it—long ago, now. And you have been allowed to sleep
for many ages.”
Van
Helsing was struggling to sit up but his strength failed him. Dracula offered a
hand. Reluctantly, Van Helsing took it and pulled himself upright. “So why have
you brought me back?”
“I
have come to offer you release.”
“And
how could you possibly release me?”
“The
same way you once attempted to release me. Or if you wish, you may simply go
free. Allow me to explain myself, then make a choice. You must be hungry, come
with me to my kitchen and let me feed you. It is simple vegetarian fare and I
think you will find it quite wholesome.”
Dr.
Van Helsing stared incredulously at the Count.
“There
is much in the world that has changed, I will make all clear. Let me assist you
from your coffin.” The Count bent over and worked his arms under Van Helsing’s
body then lifted him from his resting place, setting him upon his feet and
keeping gentle hands on his shoulders to steady him until he felt his balance.
Once
Van Helsing was able to hold his feet Dracula gave him the bottle of fluid. He
drank lustily and would have drained it had not the Count restrained him.
Dracula pocketed the
bottle in his cloak then took Dr. Van Helsing’s arm and led him carefully up
the steps and out the hall to the metal stairs. The Count had left all of the
doors open but it was still a daunting struggle to guide his weak companion up
the six flights. He paused at the fourth landing and gave his companion the
remainder of the orange fluid.
They
came out of the dungeon’s entrance and Dracula turned to an elevator, leading
Van Helsing into the wood and brass cage and pressing the button for the
topmost floor. They came out into a service passage, straight, white, efficient
and antiseptic as a hospital corridor. The Count said, “You must be very
careful here, the floor ahead will start to move when we step on it—I don’t
want you to stumble.”
“How
can the floor move?”
“You
are the man of science—I wish you could explain it to me. Suffice that it is a
mechanism that you have never encountered before and do, please, step with
caution.”
Even
so warned, when the floor began to slide under his feet Dr. Van Helsing could
not resist his reflexes and jumped backwards, landing on his rump.
The
Count could scarcely suppress his mirth. “Are you hurt?” He extended a helping
hand.
Van
Helsing took the assistance. “Thank you, I’m fine.”
“Shall
we try it again?”
“Of
course.”
This
time, and with Dracula’s assuring hand on his shoulder, Dr. Van Helsing stayed
on the moving floor. The sliding central strip was fast and it was only a
couple of minutes before they came to the far end.
Dracula used the time to talk to his
companion. “By the old Gregorian calendar the year would be reckoned as 2459—I
think—this is not the planet Earth we are on but a world many light years
distant and computing the relative time factor is difficult. The last time I
had you awake was around 2367—but you wouldn’t have been aware of time then—not
after the centuries of torture you endured. I do not know how I can even begin
to apologize for the horrible treatment I subjected you to. I can only say that
I was quite mad then—the blood lust and hatred boiled in my veins—but that is
no excuse. I knew, even than, that I owed you a debt, for our encounter
introduced me to the perils and promises of the world of science.”There is more to the story, tune in again soon...
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